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The strangeness of love is that because of certain commitments made in the name of it, sometimes the circumstances this creates are less than ideal.
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In reference to Ben and George, who aren’t without their issues, their relationship is depicted as more stable and less rigid than several others they get to know more intimately in their peculiar predicament. Love can certainly be described as many things, and perhaps strange is a perfect and affectionate umbrella that captures its confusing, legitimizing, and necessary presence. Quickly, the close proximity causes moments of strain and awkwardness between close friends and confidantes whose private spaces have been exposed. Burrows), family, including wife Kate (Marisa Tomei) and son (Charlie Tahan). George goes to stay with a couple that lives in the same building, Roberto (Manny Perez) and Ted (Cheyenne Jackson), who are both policemen (affectionately referred to as ‘the policewomen’ by their friends), while Ben stays with his nephew’s (Darren E. In an effort to stay afloat, they request assistance from their closest loved ones to put them up until George can find a new job. Because of this, Ben and George are no longer able to afford their apartment, where they have been living for two decades. However, not long afterwards, George, who is a music teacher at a Catholic school, is informed that because he married his same sex partner in official and open acknowledgment, the diocese has determined he must be let go, effective immediately. While many of the central relationships depicted in Sachs’ works are marked by melancholy and discord, whether that be the arresting loneliness of the superb Dina Korzun in Forty Shades of Blue (2005) or the dark comedy underpinning the extra-marital affair in Married Life (2007), here with Love is Strange, we are graced with a couple played by John Lithgow and Alfred Molina, partners of nearly forty years that have finally taken it upon themselves to exchange overdue marriage vows.Īfter thirty nine years of living together, Ben (John Lithgow) and George (Alfred Molina) have decided to tie the knot, inviting their many friends and family members to their ceremony. Married Life: Sachs’ Latest a Subtle Portrayal of Love, Marriage, and Familial Bondsįollowing on the heels of his 2012 film, Keep the Lights On, which documented a rather tumultuous and sometimes toxic relationship between two gay men over the course of a decade, director Ira Sachs delivers what is perhaps his most heartfelt and warmly observed film thus far.